Wildfocs

Eric Kim: As I was cruising around Flickr to find talented street photographers, I came upon the work of Charlie Kirk, aka “two cute dogs” on Flickr. He roams the streets of Japan– outfitted with aLeica M9, Leica MP, and a remote flash for his unique work. His style is very similar to that of Bruce Gilden, except I think that he captures even greater expressions from the locals. Eric Kim: As I was cruising around Flickr to find talented street photographers, I came upon the work of Charlie Kirk, aka “two cute dogs” on Flickr. He roams the streets of Japan– outfitted with aLeica M9, Leica MP, and a remote flash for his unique work. His style is very similar to that of Bruce Gilden, except I think that he captures even greater expressions from the locals. Eric Kim: As I was cruising around Flickr to find talented street photographers, I came upon the work of Charlie Kirk, aka “two cute dogs” on Flickr. He roams the streets of Japan– outfitted with aLeica M9, Leica MP, and a remote flash for his unique work. His style is very similar to that of Bruce Gilden, except I think that he captures even greater expressions from the locals. Eric Kim: As I was cruising around Flickr to find talented street photographers, I came upon the work of Charlie Kirk, aka “two cute dogs” on Flickr. He roams the streets of Japan– outfitted with aLeica M9, Leica MP, and a remote flash for his unique work. His style is very similar to that of Bruce Gilden, except I think that he captures even greater expressions from the locals.

Eric Kim: As I was cruising around Flickr to find talented street photographers, I came upon the work of Charlie Kirk, aka “two cute dogs” on Flickr. He roams the streets of Japan– outfitted with aLeica M9, Leica MP, and a remote flash for his unique work. His style is very similar to that of Bruce Gilden, except I think that he captures even greater expressions from the locals.

Posted 2 months ago

(…) Straightforward descriptions of Sepalcure— a finely manicured mix of dubstep, house, UK funky, and footwork— make it sound pedestrian, even contrived. The reality is anything but; Sharma and Stewart have found an alleyway that few other producers have traversed in 2011. Bass producers can treasure-hunt all they want, but increasingly it feels like someone should stay behind to stack the doubloons. Stewart is moving to Berlin, casting doubt on Sepalcure’s future. If they never record again, their collaboration may mirror their achievement here: an evolutionary moment, familiar and brief enough to gloss over, rich enough to return to.

Pitchfork

Posted 2 months ago